What might have been simply a guest-conducted performance of Mahler’s second symphony has since generated significant buzz as people speculate about the BSO’s future.
Michael Tilson Thomas conducted the Boston Symphony Orchestra on opening night at Tanglewood, the orchestra’s summer residency in Lenox, Massachusetts. While The Boston Globe praised the performance, and astutely compared Levine’s and MTT’s vastly different Mahlers, other publications addressed the underlying suspicion that Levine will be directing fewer and fewer performances. View Full Article »
Author Archive
Tilson Thomas Opens BSO at Tanglewood
Everyone Freaks Out
TSP Returns from Hiatus in Maine
The Sound Post has returned from Washington, ME after three weeks at the Conductor’s Retreat at Medomak. Stay tuned for more updates and an exclusive look at the Conductor’s Retreat.
Singer Belts Nine Months After Lung Transplant
Charity Tillemann-Dick is a world class soprano with a world class story. Just nine months after undergoing a double lung transplant in tandem with open heart surgery, the tenacious diva regaled her doctor’s with a performance of Puccini’s aria O mio babbino caro.
Before her surgery, Tillemann-Dick battled her condition for 4 years on and off the stage. She continued to perform despite failing health, afraid that a hiatus from singing would stall her momentum. Read on for the CNN video of her performance and link to the original article.
View Full Article »
Follow Up: Fleming Goes Pop
Renée Fleming recently talked with CNN about her newest album, Dark Hope, which was released on June 8 in the US. Dark Hope is an all-pop cover album that represents a departure from the operatic prima donna role that earned Fleming international fame. Inspired by new, edgy and eccentric lyrics, Fleming created not only a new image, but also a new voice for her popular debut.
See The Sound Post’s review of the single Endlessly here, and click through to watch both the CNN and WQXR interviews with Ms. Fleming. View Full Article »
Philadelphia Names Yannick Nézet-Séguin Music Director
pronounced nay-ZAY say-GHEN
The Philadelphia Orchestra has appointed Yannick Nézet-Séguin as the next music director—its first since Christopher Eschenbach stepped down in 2006. Until now, Charles Dutoit acted as Chief Conductor while the orchestra negotiated a period of nebulous leadership. Nézet-Séguin will begin a seven year contract immediately under the title “music director designate,” and after two seasons will assume the full role of music director starting in 2012-2013. View Full Article »
Soprano Renée Fleming to Release Alt Rock Cover Album
Starts Shopping at Hot Topic
Knock-out soprano Renée Fleming will release her new pop album, Dark Hope, on June 8 in the United States. Already out in Europe, the album represents the underside of Fleming’s newest leaf: popular music.
Her classical credits bud with acclaimed performances in the world’s best opera houses, multiple solo albums, and the moniker of “America’s Favorite Soprano.” None of this, however, receives a mention in the liner notes of her new release. Instead, Fleming wants to earn her alt-rock plaudits with a breathy, alto-range timbre that reflects little of her previous professional exploits. That tone, though antithetical to her pure, operatic upper register, is a tool she carefully crafted to convey an authentic pop feeling. Fleming and her producers have consistently asserted that the album is not a “crossover” but a purebred rock/pop release. The difference, they stress, is that a crossover album is classically styled performances of popular songs. Fleming’s recording is pop covers of pop songs. View Full Article »
Dudamel and LA Phil Come to East Coast
Bring West Coast Glam
Last Thursday and Friday, Gustavo Dudamel gave tri-staters the opportunity to see him conduct for the first time since his inauguration as music director of the Los Angeles Philharmonic. At Avery Fisher Hall on Thursday, Dudamel and pianist Jean-Yves Thibaudet performed Leonard Bernstein’s Symphony No. 2 “The Age of Anxiety.” Times critic Anthony Tommasini called the performance “arresting” and said the work “if sometimes wild and brassy, was basically wonderful.” However, he was not as enamored with the LA rendition of Tchaikovsky’s Symphony No. 6 “Pathetique.”
Tommasini felt that technical faults in the performance hinted at under-preparation despite Dudamel’s emotive and carefully executed direction. While the lush, expressive lyricism lent itself to a poignant interpretation from the maestro, The NY Times thought the orchestra’s inability to deliver resulted in a performance that was “rough and unfocused.”
But on Friday, The Sound Post was able to see Dudamel continue his east coast performances with a similar program in Prudential Hall at the New Jersey Performing Arts Center. Dudamel and Thibaudet began the performance by repeating the same pristine execution of Bernstein’s 2nd Symphony “The Age of Anxiety” from the night before. View Full Article »
Brahms and Tchaikovsky Live On
Johannes Brahms and Pyotr Ilyich Tchaikovsky, two great masters of classical music, were born on this date, May 7th, over a century ago. In 1833 and 1840 respectively, these men each entered the world destined to become two of its most influential composers. The profundity of both composers’ works helped shape the topography of Romanticism, combining worldly humanism with classical discipline. While Robert Schumann accurately predicted that Johannes Brahms would succeed Beethoven—a foresight which spoke to his acumen as a critic—Tchaikovsky similarly carved a wake through Russia and Europe with poignant works telling of crisis and wandering.
With great respect and reverence should these musical giants be remembered. Their works represent an era of musical humanism and affectation that has timelessly endured concert programs worldwide. So today, go and listen to what they’ve left us, as their work emanates the same potency today as it did in their lifetimes.