Author Archive

Supreme Court Upholds Right to Remove Works from Public Domain

by: Jake DeBacher

Over ten years ago, University of Denver professor Lawrence Golan filed a legal case to restore the public domain status of a number of works that were privatized in 1994 under an act of Congress. Now, after a decade of legal battles, the Supreme Court has ruled in Golan v. Holder to uphold the act which re-privatized works that had previously been public domain.

The result is that a number of previously free-to-perform pieces—including fairly standard repertoire by foreign composers like Stravinsky and Prokofiev—now must be paid for. This impedes the ability of ensembles on a tight budget, like Golan’s, to program contemporary works. View Full Article »

Curtain to Fall on Opera Boston

by: Jake DeBacher

About eight months ago, the Pulitzer Prize for music was awarded to Chinese-American Zhou Long for his opera Madame White Snake. Sadly, two weeks ago came the surprising announcement that the Opera Boston, the ensemble that premiered Long’s opera, would be shut down due to a budget deficit in the “tough economic climate.” The news was delivered without warning on December 24th, shocking Bostonians and opera fans throughout the world.

It seems, however, that the story is not quite over. The Boston Globe reported this week that the decision, through a vote on December 23rd, was made without the presence of over a third of the board’s seventeen members, some of whom had been optimistic about the company’s ability to overcome its $0.5 million deficit—a fifth of its annual operating budget. Those absent included the company’s general director, Lesley Koenig, who was in California when she received a phone call indicating that her position would be eliminated by 2012.
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Hopes Surface for a Cross-Border Symphonic Collaboration

by: Jake DeBacher

It looks like music may finally break across a famous border in the coming months. Chung Myung-whun, maestro of the Seoul Philharmonic Orchestra, announced his intent to start a symphony equally comprised of members from North and South Korea. From a political standpoint, it is not yet known whether this will be possible, but even the potential for such an idea coming to fruition is exciting.

Chung recently met with music figures from North Korea and members of the North Korean State Symphony Orchestra, all of whom were in favor. Chung saw no signs of resistance from the South Korean government, which makes him hopeful about the future of the project. The project has moved into secondary negotiations between the two halves of the peninsula.

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The New York Philharmonic Archives: A musicological treasure

by: Jake DeBacher

Stravinsky Telegram
For the past several months I’ve been looking for an excuse to write about the New York Philharmonic’s Digital Archives. This wonderful collection of concert programs, business correspondence, and conductor-marked scores focuses on the N.Y. Phil’s “International Years” between 1943 and 1970. This period represents a remarkable series of historical achievements for the orchestra: Leonard Bernstein was appointed assistant conductor in 1943 and rose to the position of Music Director in 1957, women were being granted tenure in the Philharmonic for the first time, the Long Playing record made its debut, and the government, realizing that New York was rapidly becoming a internationally-recognized cultural center, began funneling considerable funding into the arts.

The process of digitizing all archived material of the International Years is not yet over. All 1.3 million items are expected to be online by 2012, but there are already hundreds of thousands of items to sort through—each a historical gem. The archive is replete with nuggets (both educational and entertaining) that will surely satisfy the curiosity of classical music fans for many, many hours.
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Stradivarius Sold for Tsunami Relief

by: Jake DeBacher


One of the world’s most incredible instruments was auctioned yesterday for a jaw-dropping (and record-breaking) $15.9 million, all of which will go to the Japan Earthquake and Tsunami Relief Fun.

The violin, known as the “Lady Blunt” Stradivarius, was made in 1721 and is one of the two best-preserved instruments by 18th century luthier Antonio Stradivari. Because the winner of the auction has chosen to remain anonymous, it is uncertain whether the violin’s new home will be in a museum or the hands of a player. While such an artifact would be a worthy addition to a museum’s collection, it would be quite a shame for such an incredible instrument to gather dust.
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Who knew elderly musicians could heckle?

Riots not just for hockey fans

by: Jake DeBacher


I heard once that in the classical music world you get one good riot per century. I suppose it’s not all that surprising. Art is naturally progressive—forever moving towards the unknown and therefore the disturbing. Many audiences find themselves pigheadedly prescribed to the traditions with which they developed, to the point where deviations are met with wary unwelcome. Friction develops between traditionalists and innovators, and environments to alleviate it are few and far between. Thus, pressure builds until it can be suitably (and publicly) released. For example, take a gentleman on his way to a premiere at his favorite concert hall. He puts on his fine charcoal suit. He and his wife go to dinner beforehand and select a pricier wine. He arrives at the venue and takes his seat next to his friends, also veterans of the symphony’s many seasons. The lights dim and he settles in for the music. It begins, but something is off. These harmonies, the rhythms, the melodies, they’re all wrong. It just sounds bad. Where are the cadences? What happened to the march? Just a week ago, Beethoven’s 9th was played on this very same stage! This outrage, this meaningless noise, doesn’t deserve to share a stage with Beethoven! And it’s not just this piece. All these young “revolutionaries” are trying to upset a beautiful and noble tradition, one which can stand just fine on its own. It’s not hard to see how this could escalate if the entire audience feels this way, or (perhaps worse yet) if half the audience feels this way while the other half is enjoying innovation.

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Album Review: Grá agus Bás

by: Jake DeBacher


It’s not often these days that I am grabbed immediately by modern classical works. But Donnacha Dennehy’s latest release, Grá agus Bás, stands as a firm exception. Of course, there are plenty of pieces I enjoy from an intellectual standpoint, like Steve Reich’s Four Organs. I find that as the piece evolves, so does my understanding of it. But unlike Dennehy’s work, there isn’t anything about it that really strikes me in the first few seconds.

Dennehy’s titular piece is a twenty-five minute odyssey that grabs the listener and maintains that grip right to the end. Its sonic landscapes are a barren depiction of Dennehy’s native Ireland, and they are reminiscent of the spectral works of Murail and Grisey particularly in orchestration. The piece opens with Irish folk singer Iarla Ó Lionáird and develops slowly but gorgeously. While the presence of minimalist traditions is undeniable, so is Dennehy’s transcendence of the genre’s limitations. The strings provide a rippling sound which allows Ó Lionáird’s voice, punctuated by the winds, percussion, and the perhaps unexpected electric guitar, to soar.
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Imslp.org Comes Under Attack

by: Jake DeBacher

Alex Ross
The International Music Score Library Project, commonly known by its acronym IMSLP, is an online repository of free sheet music. It consists of works in the “public domain,” or those whose copyrights have expired. The site has weathered attacks from music publishers since its inception over five years ago, and long-time users will remember an eight month period starting in late 2007 when IMSLP fought a Cease and Desist letter issued by music publisher Universal Edition. Since then, however, the site’s opposition has been relatively harmless—until recently.

On April 21st, GoDaddy—the host of IMSLP—received a DMCA notice from a little-known UK group, the Music Publishers Association, indicating that IMSLP was hosting a piece (Rachmaninoff’s The Bells) that violates US and UK copyright law. GoDaddy responded by removing the IMSLP.org domain, rendering it inaccessible. The action was met with uproar by the IMSLP community, who argued that the claims were unfounded. A day later, the MPA’s request was rescinded and GoDaddy put the site back online. View Full Article »

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